We arrived at the conference on “Jung, Yeats and the Creative Imagination” on Sunday afternoon. At our first gathering that evening, Jungian analyst Monika Wikman spoke about the third world between spirit and matter to which Yeats and Jung sought connection because, in Yeats’ words, “a fire was in my head.”
The third world is the realm of creative imagination. The fire in our head is that realm. It is a natural faculty of the mind that we experience as a call to explore Mystery. Many do not feel its warmth; others are as attracted to it as a moth to flame. Drawing too close can be risky, even dangerous. In Monika’s words, “The beings of the third world have their own life. We do not manipulate the presences; we just open up and allow the inspiration to come.” We’ve heard about the torment, addictions and self-destructive tendencies of writers and artists who’ve been burned by it; and we’ve marveled at the divine madness of saints and holy fools who see the gods and hear their voices in it.
I am one who feels the call to this fire. I didn’t ask for this. It’s simply an inner reality I cannot ignore any more than I can ignore my needs for food or love. Harnessing its life-changing impact on my unsuspecting ego has been a major challenge of my life. Luckily I stumbled on the vessels of writing and dreamwork. These keep me in a middle space that is neither too close nor too far from the fire. Either alternative would be intolerable.
I tell you this so that you might understand why I find my dreams so compelling and why I try so hard to extract meaning from them. I also tell you to introduce the strange dream I awoke from on Monday morning.
Dream #4434: “Electric Blue Possum Excrement”
Act I: Fred’s got several spring cleaning and remodeling projects going on. I’m annoyed at the mess, the workmen, and Fred for not letting me know he’d be doing this. An interior designer shows me a large square picture of a huge golden ceramic urn superimposed over a stately gray mansion. He wants to paper the dining room with this design he’s created and asks my opinion. I’m not sure I want to look at this every day. It feels strange and ungraceful for wallpaper.
Act II: There’s a shiny rectangular portion of a wall in one room that’s been used as a pin board. X has taken off most of the notes that were stuck to it and the surface is riddled with pin holes. I start filling them in with putty and smoothing it across the surface. I envision sanding it when it’s dry so it will look perfect. There’s one sheet of paper left that contains a list of some kind. I start pulling it off to get to the holes beneath. There are a few smaller pieces of paper there too. X doesn’t want me to remove the sheet of paper or see what it’s covering.
Act III: Another designer piles an armful of primitive-looking antique objects on the right side of a mantel. He moves them around to create a still-life arrangement. I like it. Startled by the movement, a possum hidden beneath the objects darts out, jumps onto the beautiful patterned carpet, and starts running through the rooms. He leaves a trail of excrement in thin, zig-zagged lines. I’m surprised to see that they’re electric blue. As I chase him I yell in angry frustration to anyone who can hear, “I’m not cleaning up this possum shit!” Even as I say this I wonder where I’ll find a pail, water and cleaning rags. I know cleaning it up is my job.
So there you have it. Are you suitably befuddled? So was I at first. Only gradually have I come to see the meaning it holds for me. I’ll tell you about that in upcoming posts. Until then I invite you to share any associations you might have if this were your dream.
You can find Healing the Sacred Divide at this Amazon site or at Larson Publications, Inc.